🕯️Conditioned to Erase🕯️
It began with chalk and silence.
Some memories drift back like mist — uninvited, but persistent. There was a figure once drawn in the open, born of play and a changing season. What we created didn’t last. What lingered did.
I don’t remember how old I was — just old enough to roam the block with my best friend who lived a street over. On the far side stood two churches, facing each other like quiet sentinels with only a street between them. Growing up in the Bible Belt, churches on every corner were as common as corner stores.
One of these churches had a vast, sun-bleached parking lot. To us, it was more than pavement — it was a canvas. It was close to Halloween, I remember — that glimmering window when witches weren’t feared, just festive — and half the reason we decided to draw her. Armed with the biggest bucket of chalk you could imagine, my friend, her siblings, my sister, and I set to work crafting the most magnificent witch we could conjure. Crooked hat. Wild broom. A cloak that danced across the asphalt like wind-summoned leaves. She wasn’t small — she took up almost the entire parking lot. Sprawling and spectacular, as if we were trying to summon her into being with sheer scale alone.
But the magic didn’t last. A church member came out and asked us — kindly, I think — to wash it all away.
It wasn’t simple, and it certainly wasn’t easy. We hauled water in plastic buckets from a garden spigot, sloshing it across the pavement as if trying to scrub away something deeper than chalk. Fingers wrinkled, sneakers soaked, arms sticky with sweat and silence. The witch faded slowly, her cloak blurring, her broom melting into a soft smear. We kept going, though our hearts weren’t in it. We were all sad — hurt, even — that something we had poured hours of joy and collaboration into had to disappear. Our cartoon witch wasn’t dangerous. She was delightful. But she wasn’t allowed to live on.
I didn’t question it then. But now, I find myself returning to that moment with different eyes. What began as innocent play feels more like quiet rebellion — where creativity brushed up against institutional discomfort. We were invoking something ancient, perhaps unknowingly: the archetype of the witch — powerful, unruly, feminine. And in doing so, we stood at a crossroads: innocence meeting societal conditioning, joy tangled with subtle censorship.
The chalk witch wasn’t just whimsical. She was potent. A symbol of feminine power drawn unapologetically between two patriarchal structures. That parking lot — scorched by sun and shielded by steeples — became a temporary temple. And when they asked us to erase her, it wasn’t just about chalk. It was about erasing the possibility that such energy could exist openly in a space bound by doctrine.
Witches have long represented the women who would not shrink. Who healed, who created, who defied. And we — dusty-kneed children tracing magic across pavement — carried their echo. We weren’t just drawing; we were conjuring. We gave her form, gave her breath, gave her a place to stand. And when she was gone, the space felt hollow — like something sacred had been silenced before it could speak.
That crossroads — innocence meeting conditioning — didn’t end with childhood. It echoes still. The names change, the spaces shift, but the message remains: Tame it, contain it, control it—the trinity of societal conditioning designed to keep wildness fenced in.. From as far back as I can remember, something about the world has always tried to tell me what joy is appropriate, what expression is permissible, what kind of magic belongs. But I also remember the witch. Almost the size of the lot. Too big to ignore. Too wild to forget.
The witch on the asphalt, ephemeral as she was, lives on in me. A whispered reminder that art and feminine wildness must not only be allowed, but protected. Even now, when expectations try to button down my joy or edit my wonder, I think of her—the witch we dared to draw. And I remember that social conditioning may govern public spaces, but magic always finds its cracks.